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The Synth-Pop Duo's Musical Force Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) formed Soft Cell with Marc Almond at Leeds during 1977

Dave Ball, a key member of the groundbreaking 1980s electronic music band Soft Cell, has passed away at the age of 66.

Alongside vocalist Marc Almond, the pair achieved a worldwide hit with their version of Gloria Jones' Tainted Love in the mid-80s, and their first record their initial full-length release is considered a classic of electronic music.

He subsequently founded the pioneering electronic act The Grid, who achieved chart success with their 1994 single Swamp Thing.

Ball died calmly in his rest at his home in London on Wednesday 22 October, just weeks after playing a headline show with Soft Cell at the Rewind music event in Henley-on-Thames.

Health Struggles

During that performance, Ball performed in a wheelchair, as he had for the previous couple of years, after a period of ill-health.

"I managed to injure myself quite a bit," he stated in 2023. "I fractured spinal bones in my back and cracked about five ribs and fractured my arm."

After catching a lung infection and developing blood poisoning, he was put in an medically-induced sleep and remained in the hospital for seven months.

However, he had been in "high spirits emotionally" over the warmer months, as he worked on a fresh record with Almond, called the upcoming Danceteria, which is scheduled for release next year.

"He was focused and very pleased with the latest project that we actually completed only a short time ago," said the singer in a heartfelt message.
"It's truly heartbreaking as next year was all set to be such an uplifting year for him, and I find comfort from the knowledge that he listened to the finished record and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the synth-pop movement in the beginning of the decade

Heartfelt Messages

Almond referred to his bandmate as "an exceptionally talented creative mastermind", stating: "He was the core essence of Soft Cell and I'm very proud of our legacy.

"Thank you Dave for being an immense aspect of my existence and for the music you created with me. I wouldn't be where I am without you."

Richard Norris from The Grid, also paid tribute, remembering Ball's "constant humor" and "steadfast support".

"Forming a partnership with someone is distinct from joining a group, the connection is very tight," he added.
"That's how it was with us. We experienced so many extraordinary, incredible, memorable experiences together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in recent years

Formative Years

Brought into the world into a one-parent family in the city of Chester in the late 50s, Ball was put up for adoption when he was 18 months of age.

He was raised in Blackpool with adoptive parents Donald and Brenda Ball, who changed his given name from his birth name to his adopted name, together with his sibling Susan, who was also adopted.

He encountered Almond at Leeds Polytechnic in 1977, where they were both studying fine arts. Inspired by a shared love of a music genre, they formed Soft Cell the same year, and quickly recorded an extended play.

Musical Partnership

The pair were an unusual pairing: Ball was the quiet technician, hunched over his keyboard, while Almond was a flamboyant performer, all glitter and makeup; but they achieved a rare musical alchemy.

Ball had developed a interest with electronic instruments after watching Kraftwerk appear on a television program Tomorrow's World, and began to marry moody electronic sounds to the catchy tunes Almond was composing.

Their signature song became the United Kingdom's second most popular single of 1981, shifting millions of copies globally. Together with successful tracks by Gary Numan, contemporary bands and electronic acts, it contributed to paved the path for the electronic music style of the 1980s.

The track was also featured on their full-length debut, their initial LP, which produced two further high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the stand-alone single, Torch, which reached at the second position in 1982.

Soft Cell in the studio
The duo were working on new material right up until Ball's passing

Professional Journey

Fame had its upsides. "I loved being able to afford my initial property, having financial security and travelling, which might seem like a Miss World," Ball not long ago told with a publication.

But it also presented challenges. "Newfound wealth allowed we could afford newfound drugs to relieve the monotony" of media interviews and TV performances, Ball said.

"I know that's a common saying, but it's a truism for a good reason, because it applies for so many musicians."

Amidst the party-filled existence, the duo were also growing distant, but they managed to create a second classic album - the wayward, tense and aptly-titled The Art Of Falling Apart.

They released one more album, their 1984 release This Last Night In Sodom, before ending the band to concentrate on other projects.

Almond proceeded to have a prosperous solo career, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed acid house with ambient pop over a long-lasting collaboration.

Reunions and Final Projects

Soft Cell came back together in 2001, producing the Top 40 album Cruelty Without Beauty.

After a further break, they returned in recent years, releasing the original singles Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a farewell show at the O2 Arena on September 30, 2018.

However, they remained active, creating their fifth album, Happiness Not Included, during the pandemic Covid lockdown.

Ball recently described the band's upcoming release as a tribute to the New York club scene they frequented while recording their first two albums.

He noted that his time in hospital had influenced the band's sound.

"I experienced unusual memories when I was in and out of the hospital because I was on morphine," he explained to a music magazine.
"The new songs are a electronic representation of the sounds in my mind from those days.
"In parallel, it's about the experiences we got up to in the 80s."

The last versions were completed only a short time before Ball passed away. It is due for release in the spring of 2026.

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